La Galerie de Ken Wada 2

Little Treasures 2017
Opening Reception on November 25th, 2017
Galleria De Marchi, Bologna, Italy
I exhibited four small artworks (Yellow & Blue) at the International Art Show.
One year has passed since then,
The exhibition has always been one of my warm memories.
Many thanks to Paola and the other artists whom I met there!

Dear friends,

It is my pleasure to inform you that my art will be showcased on the noteworthy “Kristal Hart Show” Tuesday, October 2nd at 9:00PM.
The program shall be aired on the following Manhattan TV Channels:

-Spectrum ch. 1993
-RCN ch. 83
-FiOS ch. 34

If you have time, please watch the show!
Thank you.

Ken WADA

皆様、こんにちは。

New York City (以下NYC) の展覧会のオープニングに出席して昨晩帰国致しました。
NYC での展覧会も今回で5回目となりましたが、
今回は5月に契約したAmsterdam Whitney Gallery での初めての発表でした。

オープニングではニューヨークのテレビ番組 “The Kristal Hart Show” のインタビューを受けました。
Amsterdam Whitney Gallery はディレクターのRuthie さんのお人柄のもと、
ギャラリーのスタッフの皆さんがとても温かく、素晴らしい雰囲気に包まれていました。

また展示された自分の3作品を観て、今回は大きな充実感がありました。
NYC へ行く度に叩きのめされ、多くの刺激を受け、様々な吸収を経ながら、
それでも「世界」との差は少しずつではありますが、確かに縮まっているのではないかと感じます。

さらに今回は他のアーティストの方ともお話しする時間をもつことができました。
そしてオープニングの最後に出席した5人のアーティストが横一列に並んでRuthie さんと記念撮影、すごく心温まる思い出ができました。

よく頑張ったな、でもまだまだ全然これから、この後も道のりは果たしなく続きます。

“Stay Hungry. Stay Foolish.” *¹
OK, I will continue my own Foolish road!

なお展覧会は9月26日まで続きます。

*¹ Steve Jobs’ Stanford Commencement Address (2005)

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KEN WADA
“INNER VISIONS-OUTER REALITIES”
AUGUST 28-SEPTEMBER 26, 2018

Piet Mondrian stated, “It is possible that, throughout horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.” Like Mondrian, contemporary Japanese artist Ken Wada discovers the purity of line and form as he paints layered patterns onto his canvases. Fusing cyclical brushwork which dances in harmony, Mr. Wada creates dimensional patterns that rein in arresting hues of red and white. In his latest “White and Red” painting series, Mr. Wada explores different weight of lines and intensity of pigment throughout his patterned compositions. Drawing inspiration from his childhood calligraphy practices, Mr. Wada intensifies the spontaneous, yet controlled, compositions of his series through loose brushstrokes, variant hues of red, and repetition of form that lends a sense of dynamism to his paintings. Strong forms and the vibrancy of the red compel the viewer into the highest echelons of inspiration and stimulation. Intentionally dripping paint from his brush application contributes additional texture, while visually elongating each canvas. Layering red and white paint, Mr. Wada adds visual depth and establishes a profound complexity within the seemingly simple pattern. Packed full of emotion and personal experience, each work is an intricate web of anecdotes or observations that are expressed vividly with turbulent swaths of paint. This inscribed and abstracted interpretation of language generates a dimensional relief, resulting in a distinct imprint of place, time and experience. Achieving both subtle and dramatic contrast with his use of only two pigments, Mr. Wada’s expressive execution perfectly marries painterly abstraction with linguistic brushwork. The viewer is enticed by the varied surface patterns, which invite the viewer to become an active participant. Compiled together, his visual syntax challenges the viewer to evaluate our world. Mr. Wada’s series conveys action, serenity, and passion, causing a total spiritual awakening in the observer while encompassing the entire capacity of human sensibilities. Lyrical and rhythmic, Mr. Wada intensifies the spontaneous, yet controlled composition of his “White and Red” series through unexpected texture and layering.
Born in Matudo, Japan, award-winning Mr. Wada currently lives and works in Tokyo. Exhibiting extensively throughout England, Japan, Europe, and the United States, Mr. Ken Wada is of international recognition and is featured in both public and private collections.