Press Release

April 1, 2016
Agora Gallery, 530 West 25th Street, New York, NY 10001

Ken Wada creates ink works that incorporate a full range of free- flowing painting techniques. An accomplished painter who often works in watercolor and gouache as well, Wada is interested in using the traditional medium of ink in innovative ways. He painted much of his recent work with raw tree limbs taken straight from his own garden. The work itself experiments with graphic simplification that is rarely part of the Japanese drawing aesthetic.

Wada’s pieces are abstracts that depend on both spontaneity and control. The brushstrokes are quick, repeated, and easy, while the overall layout keeps them contained. The marks are alternately flattened and heightened to create tension. The composition is pared down but explores repetition and proportion in sophisticated ways. Pieces often only contain the stark contrasting tones of black and white, which interplay in ever more intricate designs.

Wada was born in Matudo, Japan, currently lives in Tokyo, and maintains a studio in Kitakaruizawa, Japan. He has exhibited in England, Japan, and extensively in France, where he lived for several years.

June 9, 2017
ニューヨークのイベント情報誌「よみタイム」Vol.303 p.18
https://www.yomitime.com/digital/303/mobile/index.html#p=20

December 19, 2017
Agora Gallery’s Facebook
https://www.facebook.com/AgoraGalleryNY/photos/a.97741072335.93303.46350942335/10155211619232336/?type=3

Tokyo based artist Ken Wada creates bold, abstract drawings that combine traditions of ink painting and calligraphy with automatic drawing. While the artist invokes historic Eastern tradition, his mark making is entirely contemporary—his quick, broken lines, stippled dots, and springing swirls are layered obsessively to lend a sense of chaos to his compositions. Painted in stark monochrome, Wada’s works feel simultaneously spontaneous and tightly controlled.

April 2018
ArtTour International Magazine 2018 Spring Issue selected and featured WADA’s artworks as “TOP 10 Artists”. p.112,113,114

April 13, 2018
ニューヨークのイベント情報誌「よみタイム」Vol.323 p.16
https://www.yomitime.com/event_041318/1602.html

July 2018
International Contemporary Artists Catalog 2018 Vol.1 featured WADA’s four artworks. p.46,47

August 2018
Amsterdam Whitney Gallery, 531 West 25th Street, New York, NY 10001

KEN WADA
“INNER VISIONS-OUTER REALITIES”
AUGUST 28-SEPTEMBER 26, 2018

Piet Mondrian stated, “It is possible that, throughout horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.” Like Mondrian, contemporary Japanese artist Ken Wada discovers the purity of line and form as he paints layered patterns onto his canvases. Fusing cyclical brushwork which dances in harmony, Mr. Wada creates dimensional patterns that rein in arresting hues of red and white. In his latest “White and Red” painting series, Mr. Wada explores different weight of lines and intensity of pigment throughout his patterned compositions. Drawing inspiration from his childhood calligraphy practices, Mr. Wada intensifies the spontaneous, yet controlled, compositions of his series through loose brushstrokes, variant hues of red, and repetition of form that lends a sense of dynamism to his paintings. Strong forms and the vibrancy of the red compel the viewer into the highest echelons of inspiration and stimulation. Intentionally dripping paint from his brush application contributes additional texture, while visually elongating each canvas. Layering red and white paint, Mr. Wada adds visual depth and establishes a profound complexity within the seemingly simple pattern. Packed full of emotion and personal experience, each work is an intricate web of anecdotes or observations that are expressed vividly with turbulent swaths of paint. This inscribed and abstracted interpretation of language generates a dimensional relief, resulting in a distinct imprint of place, time and experience. Achieving both subtle and dramatic contrast with his use of only two pigments, Mr. Wada’s expressive execution perfectly marries painterly abstraction with linguistic brushwork. The viewer is enticed by the varied surface patterns, which invite the viewer to become an active participant. Compiled together, his visual syntax challenges the viewer to evaluate our world. Mr. Wada’s series conveys action, serenity, and passion, causing a total spiritual awakening in the observer while encompassing the entire capacity of human sensibilities. Lyrical and rhythmic, Mr. Wada intensifies the spontaneous, yet controlled composition of his “White and Red” series through unexpected texture and layering.
Born in Matudo, Japan, award-winning Mr. Wada currently lives and works in Tokyo. Exhibiting extensively throughout England, Japan, Europe, and the United States, Mr. Ken Wada is of international recognition and is featured in both public and private collections.

January 16, 2024
Contemporary Art Curator Magazine

Ken Wada, an artist whose work is evocative of the lyrical abstraction movement, channels a sense of emotive spontaneity through his bold and colorful compositions. His paintings, characterized by their rich, vibrant blocks of color, create a visual language that is both simple in form and profound in its potential to evoke emotional resonance.

Wada’s artistic style is distinctive for its utilization of geometric abstraction. Each canvas is a mosaic of color, with squares and rectangles of varying sizes and hues juxtaposed against one another. The interplay of shapes and the contrasts between them—be it in color, scale, or texture—create a rhythmic harmony that is reminiscent of musical compositions. The edges of these shapes, sometimes crisp and sometimes blurred, suggest an organic process of creation, where control and chance coexist.

The use of color in Wada’s work is both intentional and intuitive. His palette ranges from serene blues and greens to exuberant yellows and reds, imparting each painting with its own mood and character. The application of paint varies from thick, impasto-like textures to thin, almost translucent layers, adding depth and dimension to the flat geometric forms. This tactility invites the viewer to not only see but also feel the paintings, engaging multiple senses in the experience of the artwork.

Wada’s compositions often forgo the traditional central focal point, instead allowing the viewer’s eye to wander across the canvas in a contemplative journey. This decentralized approach to composition speaks to a modern sensibility, where the notion of multiplicity and the breaking down of hierarchical structures are celebrated. In this sense, Wada’s work reflects a contemporary world that is interconnected and diverse, mirroring the complexity of its visual stimuli.

Wada stands out for his commitment to abstraction and the emotive power of color. While many artists of his generation have embraced digital mediums and conceptual art forms, Wada’s paintings hark back to the physicality of the brush and canvas. His work offers a counter-narrative to the sometimes sterile and impersonal nature of much contemporary art, providing a bridge between the viewer and the visceral act of painting.

Wada’s art does not shout for attention with gimmicks or shock value. Instead, it exudes a quiet confidence, secure in the knowledge that there is strength in subtlety and power in simplicity. His canvases are spaces where emotion and intellect coalesce, prompting introspection and meditation. They act as a respite from the frenetic pace of modern life, inviting the viewer to pause and reflect.

Within the contemporary art scene, Wada’s work is both a nod to the past and a statement of the present. His paintings resonate with the influence of mid-20th-century abstractionists who pushed the boundaries of what art could be. Yet, they are unmistakably current, speaking a visual language that is fluent in the aesthetics of today’s globalized culture.

Wada’s artistry lies in his ability to transcend the canvas and engage with the viewer on a deeply personal level. His paintings are not just to be observed; they are to be experienced. Each piece is a microcosm of emotion and thought, a segment of Wada’s worldview rendered in color and form. This personal imprint allows for a unique connection between the artwork and the audience, making each interaction with his pieces a distinct encounter.

Wada’s work is a testament to the enduring relevance of abstract painting. His canvases challenge the viewer to find meaning beyond the representational, to connect with art in a way that is both primal and sophisticated. His confident use of color and form is a powerful reminder that art need not be laden with overt messages to be profound or to communicate effectively.

In terms of placement within the contemporary art scene, Wada’s work serves as a bridge between the abstract expressionists of the post-war era and the current generation of artists exploring minimalism and post-painterly abstraction. His canvases align with the works of artists who are reinventing and reinvigorating the conversation around abstraction, proving that this genre is far from static or historical; it is a living, breathing mode of expression that continues to evolve. Wada’s contribution to contemporary art is also significant in the context of the global art market, where there is a renewed interest in painters who can blend classical techniques with a modern aesthetic. His work is accessible yet layered, providing both an immediate visual impact and deeper levels of engagement for those who seek it. Collectors are drawn to Ken Wada’s paintings for their vibrant interplay of color and form which strikes a balance between serene contemplation and dynamic expression. His geometric abstractions, reminiscent of the lyrical abstraction movement, offer a timeless appeal, resonating with the primal power of color while engaging with contemporary sensibilities. Wada’s works are versatile, fitting into various settings and collections due to their universal language of emotion and beauty. His canvases are not merely decorative but are profound, thought-provoking pieces that hold a magnetic presence, promising to invigorate and harmonize with the spaces they inhabit. Each piece is a testament to Wada’s masterful ability to communicate through abstraction, making them coveted assets for collectors.

By Marta Puig
Editor Contemporary Art Curator Magazine